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07/09/2010
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| SINGER |
| Paul Nilon |
| Handel and Mozart feature predominantly in Paul Nilon’s repertoire. Among work with opera companies through the UK and abroad he has sung Tamino for English National Opera and Scottish Opera, and Lurcanio in David Alden’s production of Ariodante at ENO. He also enjoys an active concert career, including Gounod’s St Cecilia Mass in Madrid and the Bach B minor Mass at the Royal Festival Hall with the LPO. His tenor voice is heard in five Opera Rara recordings: Donizetti’s L’Assedio di Calais, and Medea in Corinto, Mercadante’s Orazie e Curiazi, Rossini’s Riccardo e Zoraide and the anthology A Hundred Years Of Italian Opera. |
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Full-length opera - Medea in Corinto
Jane Eaglen is incisive, hard-hitting and tender - JULIAN BUDDEN, Opera
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Anthologies - A Hundred Years of Italian Opera 1810-1820
An awesome recording in every respect - JOHN FREEMAN, Opera News
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Anthologies - A Hundred Years of Italian Opera 1820-1830
A privileged glimpse into a forgotten world - JOHN FREEMAN, Opera News
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Collections - The Cruel Madness of Love
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Villains by Necessity
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Sceptre, Crown and Scaffold
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Medieval Mayhem
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Collections - The Opera Rara Collection - Volume 2
A feast and a temptation to the ears - DAVID JOHNSON, Fanfare
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Meyerbeer - Meyerbeer in Italy
This compilation from the six operas Meyerbeer wrote in Italy shows him not only as a deft disciple of Rossini, but also as a composer of real dramatic flair and musical inventiveness. The weeks essen
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Paer: Sofonisba
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